Team

Meet the makers.

Overview

We asked our team to choose a piece of art that represents them. From Caravaggio to Emigre, from Swiss modernism to Memphis chaos. Different backgrounds, different influences, same high standards.

We asked our team to choose a piece of art that represents them. From Caravaggio to Emigre, from Swiss modernism to Memphis chaos. Different backgrounds, different influences, same high standards.

Alex Athanasiou

Audience & Partnerships

Alex Blumfelder

Managing Director

Antonia Lazar

Program Director

Arielle Kroloff

Associate Director, Strategy

Brian Collins

Co-Founder, Designer

Claire Banks

Program Director

Daniel Ferro

Senior Designer

Dilayla Solorzano

Office Assistant

Drea Isasi

Senior Program Manager

Eigo Cong

Creative Technologist

Elizah Van Lokeren

Executive Operations Associate

Eric Park

Senior Motion Designer

Eron Lutterman

Audience & Partnerships

Evan White

Associate Designer

Hayden Zellers

Program Director

Jae Jeon

Senior Designer

Jaeyou Chung

Senior Designer

Jeremie Wimbrow

Design Director

Jessica Lai

Associate Designer

John Choi

Senior Motion Designer

Jonathan Katav

Design Director

Katie Branham

Accounting Assistant

Katya Watkins

Director, Resourcing

Kim Unger

IT & Systems Director

Klaudia Gladysz

Senior Director of People Ops

Leland Maschmeyer

Co-Founder, Chief Executive Officer

Lucas Howard

Senior Program Manager

Madeleine Carrucan

Associate Creative Director, Story

Mason Lin

Designer

Mimi Jao

Designer

Mina Son

Associate Designer

Morgan Light

Design Director

Nicholas Fearnley

Design Director

Nicole Cousins

Designer

Owen Oh

Associate Designer

Rebecca Smith

Financial Analys

Rik Ito

Chief Financial Officer

Rohan Rege

Senior Designer

Rory King

Design Director

Sam Eliot

Engagement Director

Selina Wu

Designer

Sergio Lairisa

Designer

Steffi Katz

Business Strategist, Associate

Stephen Dalton

Creative Director, Story

Taamrat Amaize

Chief Strategy Officer

Tom Elia

Executive Creative Director, Story

Vasavi Bubna

Associate Designer

Collaborations

Bill McKibben & Denis Hayes x COLLINS

On April 22, 1970, Earth Day rallied 20 million Americans and sparked a cascade of lasting change: the creation of the Environmental Protection Agency, the Clean Air Act and the Clean Water Act.

Half a century later, at another environmental tipping point, environmentalist and writer Bill McKibben and Earth Day co-founder Denis Hayes set out to create its cultural successor in the name of clean energy.

They call it Sun Day.

Why the sun? Humanity has always depended on the sun as our bringer of life, light and heat.

That relationship was fractured by the explosive use of fossil fuels over the last century. Fossil energy may have powered economic and social gains, but it also filled the atmosphere with carbon, turning our skies into a global sewer.

Now, for the first time in history, the cheapest form of energy is a sheet of glass pointed at the sun.

The math is astonishing: sunlight striking Earth delivers 10,000 times more energy than humanity consumes. It’s as if we’re endlessly showered in the very thing we need most. Sun Day is a call to action: the way forward is here.

What we need now is the global will.

A Design For A Movement

COLLINS was invited to help. How would we define and design for such an idea? McKibben’s brief was simple, but not so easy: build a system cohesive enough to unite millions, universal enough to be understood across cultures and languages and bold enough to fly on a flag.

Our answer: the system had to be participatory.

We studied grassroots symbols that have endured: the peace sign of the 1950s nuclear disarmament movement, Gilbert Baker’s rainbow symbol, the Extinction Rebellion hourglass, even the bold stars and stripes of the American flag. Each represents different human hopes, yet they share a common visual language—familiar geometry, nothing complicated. Forms so easy to doodle on a napkin, paint on poster or mark in the sand, that anyone can recreate and claim them as their own.

After countless sketches, we distilled the idea to its essence: five bold rays forming half a sun. The other half is left open, for people to complete themselves. Because movements thrive when people see themselves in them.

As McKibben says, when it comes to solar power, “we are halfway there, halfway to go.”

We hope this symbol will stand for both: the progress we’ve already made and the work we still have to finish—together.

Tools For Collective Action

First, a digital commons.

With our technology partners at garden3d, we created an online platform where anyone can draw their own sun and place it in a global gallery. The site doubles as a bulletin board for actions and events, helping Sun Day build local and global momentum.

Then, a living typeface.

With the remarkable people at Commercial Type, we created a new, custom type family designed to be filled in, redrawn and remixed. It was crafted to be re-crafted—by millions of other hands.

From Threat to Solution

Sun Day reframes the sun from a threat to the solution. It makes clear that this is no longer “alternative energy,” but a smart path forward.

On Sunday, September 21, hundreds of events unfold around North America and the world to exclaim just that.

The story, we hope, will move beyond protest, policy, or politics. We hope it will start to show how design – as a plan for action – can help catalyze real collective momentum—just as it did for Earth Day five decades ago.

Join in, here: sunday.earth


Press

"The Old Climate-Activism Playbook No Longer Works," The New York Times

"The World Comes to New York for a Very Different Climate Week," The New York Times

"Sunday was also Sun Day," The New York Times

"How Sun Day turned its logo into a protest sign," Fast Company

"Climate activists gather in New York for ‘Sun Day’ solar energy and anti-billionaire rallies," The Guardian.

"Why Bill McKibben revived Sun Day — a solar celebration rooted in Colorado," Colorado Public Radio News


Credits

Beth Johnson

Mason Lin

Eron Lutterman

John Choi

garden3d

Hugh Francis

Commercial Type